Once, not so far away and not so long ago, the young goddess Aušrinė is assigned to guide a mortal — a woman lost in love letters from a mysterious stranger. Hoping to bring her happiness, Aušrinė convinces the woman to travel to the city and meet her beloved unknown for the first time

In the near future, Mariam and her family face a financial crisis. At the same time, the Swedish government launches an integration tool called Language Maximization, offering immigrants a generous grant in exchange for erasing all memory of their mother tongue.

A Norwegian customs officer, a Finnish poacher, and a mysterious Swedish woman meet at the border between their homelands, becoming entangled in a conflict over laws, language, and prejudice.

Marcel Duchamp sets a urinal on fire. Mustaches bang their heads against the frames of standards until those frames laugh at seriousness. A bicycle wheel spins without direction, while reality crumbles like dust upon forgotten ideas. From the shadow of marble rises David. He kicks the urinal – not out of hatred, but because formless thoughts are denied recognition. The urinal flies into the Hemisphere of Rotation, where there is neither top nor bottom – only ideas that refuse to become objects.

A day when you realise you want to be more than friends and must decide if you have the courage to act on it or if you have to hold back.